Director: Kiran Rao
Producer: Aamir Khan, Kiran Rao, Jyoti Deshpande
Starring: Nitanshi Goel, Sparsh Shrivastav, Pratibha Ranta, Abhay Dubey, Chhaya Kadam, Ravi Kishan
Running time: 124 minutes
Kiran Rao’s return to the director’s chair after 14 years with “Laapataa Ladies” is a sharp satire that impresses with its clever social commentary and heartfelt depiction of sisterhood. The film depicts the turmoil that arises when two young brides, Phool Kumari (Nitanshi Goel) and Pushpa (Pratibha Ratna), are mistakenly switched during a train ride. This mishap sets off a series of events involving Phool’s beleaguered husband Deepak Kumar (Sparsh Shrivastav) and a corrupt yet conscientious cop, Shyam Manohar (Ravi Kishan).
Rao’s debut film “Dhobi Ghat” offered a haunting, voyeuristic glimpse into the lives of Mumbai’s dreamers and strugglers. In contrast, “Laapataa Ladies” is set in rural India and uses a more humorous approach to tackle serious issues. The film stands out with its deft balance of satire and entertainment, never letting the social messages overshadow the humor and charm of the story. Rao uses light-hearted, slice-of-life storytelling to explore deep-seated patriarchy and its repercussions, advocating for women’s empowerment, education, and equality in a way that respects both genders.
The script, written by Biplab Goswami and Sneha Desai, is full of delightful moments and thought-provoking dialogues. Each character is portrayed with flaws and likability, adding depth to the narrative. Ravi Kishan shines as Shyam Manohar, a man whose greed is tempered by a sense of justice. The newcomers in the lead roles also deliver commendable performances, making their characters relatable and engaging.
One of the film’s most poignant scenes features Manju, a middle-aged tea stall owner played impeccably by Chhaya Kadam. Her decision to live alone rather than endure disrespect and domestic violence is a powerful statement on self-respect and autonomy. Her dialogue, “If those who love you have a right to hit you, I exercised my right, too,” encapsulates the film’s message about the strength of women who refuse to be victims.
“Laapataa Ladies” challenges traditional narratives that label women as cunning or over-smart for asserting themselves. It boldly states that societal expectations of a ‘respectable’ girl are fraudulent, conditioning women to accept the status quo without question. Instead, the film encourages women to reject ignorance and embrace self-awareness and strength.
Overall, “Laapataa Ladies” is a family-friendly, acutely observed dramedy that offers both entertainment and food for thought. With its strong performances and sharp social insights, Kiran Rao’s latest directorial venture is a triumphant return that reaffirms her place as a filmmaker with a unique voice and vision.
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